Project Chintan

Material Intelligence: Juggernaut’s Tactile Experiment in the Age of Algorithms

Journalist Lakshmi Chaudhry and designer Kriti Monga debut Taste, an ultra-limited annual publication merging high-concept literature with sensory design. The ₹15,000 art object challenges digital aesthetics through tactile storytelling and intellectual exploration.

By Project Chintan Newsroom
25 July 2026 · 2 min read
Material Intelligence: Juggernaut’s Tactile Experiment in the Age of Algorithms

A Tangible Rebuttal to Digital Homogeneity

In a period dominated by algorithmic recommendations and rapid digital consumption, Juggernaut Books has released a physical intervention. Taste, an experimental publication produced in a strict run of 500 copies, functions as a hybrid between a literary magazine and an art object. Priced at ₹15,000, the debut edition serves as the first installment of an annual imprint designed to engage the senses through specialized printing techniques and varied paper textures.

Editor Lakshmi Chaudhry, a veteran journalist who previously reported on global conflict and terrorism, spearheaded the project as an antidote to a world lacking beauty. Chaudhry posits that modern platforms like Pinterest act as tools of erasure, smoothing away the unique edges of personality into pre-packaged aesthetics. In response, this volume requires deliberate, slow interactions, moving away from the efficiency of modern information consumption.

Intellectual Depth through Sensory Innovation

The publication transcends the standard coffee-table format by integrating rigorous intellectual inquiry with physical craftsmanship. The contents include contributions from Nobel laureate Abhijit Banerjee, writer Aatish Taseer, and translator Srinath Perur. These written works are embedded within a layout that features:

  • Intricate filigree flaps and pull-out sections.
  • Anaglyph imagery detailing the history of Madras Checks.
  • Hand-painted travel guides enclosed within essays.
  • Visual histories tracing the evolution of the kamarband and bandhani textiles across global subcultures.

Designer Kriti Monga structured the publication to be immersive rather than linear. For example, Meenakshi Reddy Madhavan’s essay on a Bollywood-themed tour through Switzerland utilizes a horizontal layout to mimic the movement of a bus across the landscape. Monga views taste not as a fixed destination, but as an evolving constellation of experiences that should remain open to change.

The Cultural Mechanics of Preference

Beyond its visual appeal, the book functions as a philosophical investigation into why we gravitate toward specific objects or ideas. A dialogue between critic Parul Sehgal and Kannada author Vivek Shanbag explores how language dictates our perception of beauty. Shanbag argues that surprise and tolerance are the fundamental pillars of taste, suggesting that the concept is less about style and more about an individual's orientation toward the unknown.

From analyzing the unexpected popularity of Boney M in India to documenting the journey of the pineapple from exotic fruit to luxury symbol, the essays examine identity and migration. The editorial mission remains focused on challenging the brain rather than soothing it, forcing a confrontation with the jagged, unpolished realities of cultural evolution.

Source: The Hindu — Home

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